Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr
TAIWAN (CHINA)
Meet Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr - a powerhouse of good design, creativity and innovation based in Taiwan (China). Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr's design journey has been nothing short of spectacular, marked by a tireless pursuit of excellence. This dedication is clearly mirrored in Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr's impressive haul of 6 A' Design Awards that we showcase here. Spanning across categories such as Interior, Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr's work stands as a living testament to a steadfast commitment to design excellence, serving as a beacon of inspiration for designers globally. With each project, Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr masterfully blends form and function, crafting designs that are not only aesthetically pleasing but also functional and timeless. This approach underscores Yung-Hsi Peng, Pei-Chi Hung, Parn Shyr's celebration of creativity and an unyielding quest for innovation.
View Profile Consult Now Hire NowThis project creates a Neo-Plasticism installation art. The main front wall continues the victory flower amber colored glaze, a total of about 450 pieces of custom-made colored glaze. The semi-crystal clear wall brings into the atmosphere of the low-key luxury of art and culture. The left and right sides of the circular main hall are intertwined with visually penetrating metal grids, which are light-weight structured reading spaces. The transparent open display makes the hall more spacious, and the metal components represent the direction of technology and futurism.
|
|
The project locates in Taipei Songshan Cihui Temple, and the elements of Mu Niang light of origin, lotus dome, and iridescent clouds are adopted to reflect the religion. On the wall of the area, the contents of the Original Vows of Ksitigarbha Bodhisattva Sutra is laser cut with 8 mm acrylic carving to present on the wall, displaying the culture and belief concretely to the people. It shortens the distance between the space and the users and provides the users a more peaceful state of mind during worship.
|
|
|
As this project was anchored creatively on the spirit of tea ceremony in its pursuit to create an orient-style artistic domain, so apart from the material comfort, it also sought to satisfy enjoyment on the psychological level. There is no luxurious decoration in the space but linework to guide the interplay of light and shadow where the synergy of square and circle bringing about the subtle sense of visual penetration while many poetically metaphoric elements.
|
|
|
The designers selected hexagon grid, a tightly-packed but simple natural element, to solve the problem of direct sunlight. As the greeting hall, the designer choose rustic materials, including beige Travertine, teak, and wood grating, to create a relaxing and modern art phenomenon. The second floor, a space for entertaining and discussing, was formed with independent area in metal, glass, and cubes. By and large, the rich content is a complete functional individual; diving into details, the space seems so splendid an art display room that whoever sees it can hardly turn face away from it.
|
|
|
Ingeniously utilized structure and landscape construction techniques and paired them with lighting coordination so that light and shadow are interwoven, achieving a Zen visual effect. The designer worked with the original structure of the two-story building and used minimalistic design techniques to cleverly resolve the irregularities and structural restrictions that existed in the space, further transforming defects into advantages, and creating a transparent and open artistic space. The green landscape is introduced into the interior from the outdoors, presenting a modern garden impression.
|
|
|
Inspired by the image of anti frost Hibiscus flower in Su Shis ancient poem, the design team made a use of the advantages of a conventional single square building and designed it with continuous columns on the same base to create an appearance of layered flower petals, as it is located on the top of the building, at glance it is possible to see the blooming Hibiscus flower. On the premise of combining practicality, design aesthetics and art, this project uses all kinds of advanced materials to build reality and softness, using neoclassical design vocabulary.
|
|
|