SONTAYA PANSUPA
THAILAND
Meet SONTAYA PANSUPA - a powerhouse of good design, creativity and innovation based in Thailand. SONTAYA PANSUPA's design journey has been nothing short of spectacular, marked by a tireless pursuit of excellence. This dedication is clearly mirrored in SONTAYA PANSUPA's impressive haul of 2 A' Design Awards that we showcase here. Spanning across categories such as Jewelry, SONTAYA PANSUPA's work stands as a living testament to a steadfast commitment to design excellence, serving as a beacon of inspiration for designers globally. With each project, SONTAYA PANSUPA masterfully blends form and function, crafting designs that are not only aesthetically pleasing but also functional and timeless. This approach underscores SONTAYA PANSUPA's celebration of creativity and an unyielding quest for innovation.
View Profile Consult Now Hire NowGrajang Jewelry Brand: draws inspiration from traditional Thai patterns, jewelry and lore, which are simplified, adapted and combined with contemporary trends in jewelry and modern production techniques, resulting in modern vintage designs that give a more universal appeal to the aesthetics of Thai arts and allow it to be appreciated in a novel approach. LubLae is a collection of modern vintage Thai jewelry that re-imagines the traditional Grajang tracery by giving it a modern form and stacking them into overlapping layers, creating an elaborate pattern and an illusion of depth.
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This concept is inspired twelve indented corners (Mai 12: Thai word), which is the design of the Thai architectural style. The reduction of the architecture's stiffness from a square shape to complement the round stupa. In addition to reducing the square shape, these also increase the dimension of this architecture. The 12-corners indented stupa is used in the design of this collection by the deformation to create new forms and shapes including not only increasing the delicacy by twisting the shape but also creating new dimension by moving the 12-corners indented stupa pattern up and down.
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