Geissert Thomas
GERMANY
Meet Geissert Thomas - a powerhouse of good design, creativity and innovation based in Germany. Geissert Thomas's design journey has been nothing short of spectacular, marked by a tireless pursuit of excellence. This dedication is clearly mirrored in Geissert Thomas's impressive haul of 4 A' Design Awards that we showcase here. Spanning across categories such as Graphic and Interior, Geissert Thomas's work stands as a living testament to a steadfast commitment to design excellence, serving as a beacon of inspiration for designers globally. With each project, Geissert Thomas masterfully blends form and function, crafting designs that are not only aesthetically pleasing but also functional and timeless. This approach underscores Geissert Thomas's celebration of creativity and an unyielding quest for innovation.
View Profile Consult Now Hire NowA high-contrast modern design and a clear information Hirarchie distinguishes the new system. The orientation system works fast and will make a positive contribution to the quality of service afford the airport. The most important means next to the use of a new font, a distinctive arrow element the introduction of different, high-contrast colors. It was particularly on functional and psychological aspects, such as good visibility, readability and barrier-free information recording. New aluminium cases with contemporary, optimized LED illumination are used. Signage towers were added.
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The goal was to create a system with its own identity and originality that goes beyond. The structure of the new stadium of SC Freiburg consists of an orthogonal basic form and an orthogonal roof. The guiding principle of the architectural design, to create an identity-forming structure, must be supported. The new wayfinding and orientation system therefore presents itself with a clear language of form. It welcomes and informs visitors and fans already in the outdoor area (parking, busstop, tram), leads them to the entrances and in the stadium via the promenade to the seats.
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Architecturally, the goal was to break up the rooms into a new spatial structure, to create spaciousness and expanse within a fixed area and cubature, to transform into the 21st century. This was achieved by increasing the window areas. Parapets were partially opened to floor level to create smooth transitions from inside to outside. The aesthetic reduction of forms, materials and colors lead to a harmonious overall impression, which is underlined by a discreet color and lighting concept. A wellness area with sauna was installed in the former tank.
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An intangible orientation system has been designed which takes a back seat to promote the information to be given to the visitors. An ensemble of products, minimalist sculptures for the gardens, markings and signs of various sizes and forms for the buildings. The high polished stainless steel surfaces of the products mirror parts of the landscape, the sky and the architecture and thereby the elements disappear virtually. Defined anthracite areas are used to display information through text and graphics which are engraved and cut out. The typography and arrows are illuminated.
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